Showreel
About
Born in 1993 in a small town in the north of Italy, she has been always fascinated by images. That’s why she decided to do a BA in Photography in Milan.
Her passion for images grow so intensively that still images were not more enough, so she moved to London to attend an MA in Cinematography.
When it comes to pictures she has a clear and personal taste that she would like to transform in a style.
" What I'm drawn the most about visual storytelling is to capture that feeling when our mind meets an image and how it almost unconsciously looks for a magical suspension. An image gives to reality, as it is perceived by anyone, a section of a personal abstraction. Light is crucial along with all the other aspects that contribute to the formation of images."
View CV
Age 30
Language
| Language | Level | Writing | Accent |
|---|---|---|---|
| Italian | Native | Excellent | Excellent |
| English | Expert | Excellent | Excellent |
| German | Good | Basic | Excellent |
| Swedish | Good | Intermidiate | Good |
Skills
Lighting, Framing, Video, PhotoCV latest
Education
| Year | School | Education |
|---|---|---|
| 2007-2012 | Carducci Classical Lyceum | High School Diploma in classical studies |
| 2012- 2015 | IED European Institute of Design Milan | Academic Diploma Level 1 in Photography |
| 2016- 2017 | MET Film School London | Master in Cinematography |
Film/TV
| Year | Production | Character/Role | Prod. Company | Director |
|---|---|---|---|---|
| 2017 | Trumped | Gaffer | Bethnal Films | Rodrigo Vázquez |
| 2019 | Bäckström | Sub 2nd Unit 2AC | Yellow Bird | Jonathan Sjöberg |
| 2019 | Nelly Rapp Trailer | 2AC | Sf Studios | |
| 2019 | Huss | Sub 2AC | Yellow Bird | Jörgen Bergmark |
| 2020 | Den største forbrytelsen | Video Assist | Fantefilm | Eirik Svensson |
| 2020 | Il Pastore | Video Assist | Andreas Prochaska |
Video/Music video
| Year | Production | Artist | Song | Role |
|---|---|---|---|---|
| 2015 | Adelmo | Dop | Independent | Gianluca Fedele |
| 2016 | Marcellas | Grip | Veni Vidi Film | Paolo De Battista |
| 2017 | National Anthem | Gaffer | Untethered Films | Hamza Jeetooa |
| 2017 | Eleven | 2AC | Independent | Carlotta Peccoz |
| 2017 | Rosa Genoni Celebration 1867-1954 | 2AC | Little Grand Road | Maja Astrid Diedenhofen |
| 2017 | Alright | 2AC | Independent | Giulia Gandini |
| 2017 | Blank White | Dop | Independent | Gianluca Barra |
| 2017 | Baghead | Spark | Long Shot Media | Alberto Corredor |
| 2017 | The Third Wish | 2AC | Melonia Productions | Pär Ödlund |
| 2018 | The Glove | Gaffer | River Crossing Productions | Luisa Pretolani |
| 2018 | Cash Minus | 2AC | Sunstorm Pictures | Omar Dogan |
| 2018 | Djävulens Marionetter | 1AC | Bengtsson Brothers Production | Gustav Bengtsson |
| 2018 | Bror | 1AC/2AC | Alegren Productions | Isabella Carbonell |
| 2019 | Natten är ung | 2AC | Independent | Oliver Mörk |
| 2019 | I think therefore I am | Gaffer | Göteborgfilmkollektiv | Jens Bröstrom |
| 2019 | Untitled music | Gaffer | Noor Studios | Faramarz Gosheh |
| 2019 | The intimate touch | 2AC | Fosfor Produktion | Ariel McMillion | Michael Stoen |
| 2019 | Grab Them | 1AC | Götafilm | Morgane Dziurla-Petit |
| 2019 | Toxic | Dop | Götafilm | Ese Ejodame |
Commercial
Other
| Year | Position | Mission | Prod. Company |
|---|---|---|---|
